2019第91届奥斯卡金像奖女主获最佳女主角(影后)《宠儿 The Favourite (2018)》

故事设定在安妮女王(科尔曼饰)统治时代，聚焦这位斯图亚特王朝最后君主的后花园，传奇的三角恋和无尽的权力斗争。马沙姆(阿尔文饰)将对女仆(斯通饰)展开猛烈追求，马沙姆也因此成为女仆在宫廷上位的砝码。

In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead.When a new servant, Abigail, arrives, her charm endears her to Sarah.

宠儿 The Favourite (2018)

影片信息(Video information)

名称(Name)：宠儿 The Favourite (2018)

演员(Actors)：奥利维娅·科尔曼 / 艾玛·斯通 / 蕾切尔·薇兹 / 尼古拉斯·霍尔特 / 乔·阿尔文 / ... (Olivia Colman / Emma Stone / Rachel Weisz / Nicholas Hoult / Joe Alwyn / ...)

导演(Director)：欧格斯·兰斯莫斯 (Yorgos Lanthimos)

制片人(Producers)：德博拉·戴维斯 / 托尼·麦克纳马拉 (Deborah Davis / Tony McNamara)

类型(Type)：剧情 / 喜剧 / 同性 / 传记（Drama / comedy / homosexuality / biography）

制片国家/地区(Production Country / Region)：爱尔兰 / 英国 / 美国（ Ireland / UK / USA）

语言(Language)：英语（English）

运行时间(Run Time)：119 分钟（119 minutes）

上映日期(Release Date)：2018-08-30(威尼斯电影节Venice Film Festival) / 2018-11-23(美国USA)

又名：争宠(港) / 真宠(台) / 宠姬 / 挚爱

2019第91届奥斯卡金像奖女主获最佳女主角(影后)

下载信息(Download information)

文件类型(File type)：torrent (5个)

大小(Size)：574KB

下载方式(Download mode)：网盘下载 SkyDrive

清晰度(Definition )：1080P

编解码器(Codec)：AVC High@L4

分辨率(Resolution)：1920x1038

影片内容(Content)

　　设定在18世纪早期的英格兰，讲述关于宫廷阴谋、激情、嫉妒和背叛的故事：大不列颠王国的安妮女王(奥利维娅·科尔曼)与她的知己、顾问、秘密情人公爵夫人萨拉· 丘吉尔(瑞切尔·薇姿)的关系因后者的一位年轻远方亲戚(艾玛·斯通)到来而被搅得翻天地覆，各位女性为争夺女王的青睐和获得宫廷影响力而展开了激烈的斗争。

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

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torrent文件清单(torrents list)

国内未上映，2019第91届奥斯卡金像奖女主获最佳女主角(影后)

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宠儿 The Favourite (2018) 英国宫斗剧2019第91届奥斯卡金像奖女主最佳女主角(影后)下载 download

评论(Reviews)

对我来说，这部电影讲了一件事：人是如何在不知不觉中一步步失去珍贵的“东西”的。兰斯莫斯再度展现了他对悲剧的独特精准的切入角度，整个premise相比之前的作品更成熟精炼。最后一幕即便是在credits出现时，仍然持续回荡在我脑海中，特别伤感。

有趣比有意义还重要。古怪的配乐，华美的服装，滑稽的表演，人设就已经秒杀。一个撒泼打滚的女王，荒淫地就想睡妹子。一个铁t，吃醋的时候拎起脖子就把人往墙上怼。一个小妖精，管你们多大权势，我都能爬上床得到我想要的。同人文都不敢这么写啊。好赤姬啊。

兰斯莫斯版甄嬛延禧，英国版［再见我的王后］。兰斯莫斯创新手法升级，非常惊喜，笑到鼓掌！电影情绪从戏谑，惊悚到悲情的把握极稳，兰斯莫斯执导能力强大。女主们表演各个逆天，石头腹黑太美丽，薇姿强势如山，科尔曼完全豁出形象，三位女演员各自献上水准之上的表演。唯一的缺点可能还是格局小，但依然是兰斯莫斯最好笑，最好懂，最可爱的一部。

尽管视听语言方面显然不如「圣鹿之死」惊艳，但不再拍寓言故事的兰斯莫斯能把这样一个英国蕾丝版甄嬛传的狗血故事拿捏的恰到好处，而不让人觉得cheesy，已经很厉害了。制作方面的高水准自然不用提，石头姐收放自如的演技让这样一个心机婊竟然不那么招人讨厌，薇姿反倒被比下去了

本届颁奖季第一抹亮色！生猛、邪恶、狡黠，满纸荒唐，字字诛心，精致和笨拙都刚刚好。可笑的三角关系之下，是兰斯莫斯对权力本身最深沉的诅咒和关切，永远没有正常的爱与被爱，尊重与被尊重都是假的，只有伤害真实存在过。

非常推荐！反映英国安妮女王的电影本就少，难得女主们演技也上佳。概括一下，这大概就是一个女版《李尔王》的故事——真正爱女王、从不对女王撒谎的公爵夫人被陷害，而口蜜腹剑的侍女却获得了女王的信任，鸠占鹊巢。金钱和权势，并不会让人变得更明智；同理，卑贱和贫穷，同样也不能拿来证明人的善良。不要拿中国宫斗的标准来审视这部电影，这不是宫斗，而是人性和人的盲点。PS：历史上的安妮女王一辈子都活得很孤独，怀育了十七个孩子，没有一个存活下来；但她是一位善于在政治派别中博弈的人；在她治下，也诞生了世界上第一部知识产权相关法令、保护著作权的《安妮女王法令》。

Telluride. Human’s longings, weakness, and blindness are universally alike throughout the ages. Highly stylized and hilariously deadpan. Exquisite visual language and impeccable soundtrack. 电影每一部分的标题也挺有趣。Emma Stone演的阴险小bitch不错，但风采被其他几位演员盖过了。Rachel Weisz太美太有魅力了。Nicholas Hoult挺可爱挺花枝招展的。有几个对准Olivia Coleman脸部的长镜头很好，她的心碎和困惑都很动人。在观影的时候希望电影不要结束，可以一直看下去。不过他们的宫斗戏码也太小儿科了。:D

继《罗马》之后，上年度奥斯卡大热门里又一部值得去电影院观看的佳作，由于导演几乎完全采用了自然光和环境光来拍摄。本片将是最佳影片的有力竞争者，并很可能在提名奖项数量上领跑。全片诡异的风格、戏谑的手法、视听语言上的创新还有配乐都让人饶有兴致。我不认为它需要与中式“宫斗剧”进行比较。首先，本片里的斗争很文明，茶里下毒也只是让你呕个吐，最高的手段也只是把对方赶走而不是弄死，全片没死一个人；然后，它不是单纯的后宫争宠，而是跟前朝的政争，跟国计民生挂在一起，这个格局，要比一群女人在“不得干政”的后宫没完没了的互杀大得多。

阔别七年，兰斯莫斯褪去了青涩重返威尼斯。三轮掌声，笑声不断。在宠儿的更迭中，交代了女王被架空的的处境，叙述了女王的孤独和不幸。三位女演员配合默契表现出色，镜头设计完成了对The Favorite的点题。

The Favourite is, so far, the best movie I've seen during VIFF. Its sharp intelligence and sarcastic approach devours the mind, cinematography wows, acting mesmerizes and overwhelms, soundtrack creates with the atmosphere of the movie that is so raw and somehow relatable to this day. With unusual, weird kind of approach, director Yorgos Lanthimos delivers his best to date, in my opinion. The writes are the ones getting a bow down from me, with explicit, honest and funny approach to a period biopic drama that will stand the test of time for sure

This is not my usual type of film but the trailer intrigued me so I thought I'd give it a whirl and I am glad that I did. Good direction with a great script. The actors clearly had fun with the witty dialogue they were given in this dark period drama about one-up-man-ship.

Without giving anything away, to begin with I wasn't impressed with the ending and just thought, 'What - is that it?" but the more I thought about it and digested it - the more I realised just how perfect it was.

This film is well worth a watch.

Honestly all I can say is that this film was not what I was expecting and far exceeded my expectations. The chemistry between the actors and also the visual story is absolutely stunning and I'm just wowed by how well done everything is done in this film. I can't say I have anything bad to say about this film. And please go into this movie without spoilers, I find that it is way more enjoyable to be surprised by the actual story and leaves more excitement for the viewer.

There are three compelling reasons to see this - Olivia Colman, Rachel Weisz, and Emma Stone. They go full force into this 18th-century world. Its a wickedly ridiculous and dirty dark comedy that only Yorgos Lanthimos could make with a brilliant whip-smart script by Deborah Davis and Tony McNamara. Weisz vs Stone is a master class in acting, and Colman holds the Crown. Showcasing just how devoted one is for love (or power) but if it is truly worth the cost. If you didn't like The Lobster or The Killing of a Sacred Deer, you may not like this movie. While it is Yorgos' most commercial movie yet, it is still very much his style. The more that I think about this movie, the more that I love it and it will be everywhere this award season.

This is easily the best movie of the year in every measurable facet, most prominently the incredible writing, directing, ambition, cinematography, and most importantly the acting by the three lead actresses. Anyone who reviews this movie poorly simply and unfortunately does not understand/recognize the level of mastery exhibited in this film. It is clear that a lot of care and thought went into every single detail, and the director worked very hard to create many intricate layers of meaning and an endlessly watchable and absolutely hilarious dynamic between the main characters. If this does not win best picture and a slew of its other nominations it will be very disappointing, as I would compare the overall quality of this movie to the likes of Birdman, or The Kings Speech in terms of the best movies from the last decade. This is Lanthimos' best work yet, which is saying a LOT considering his works leading up to this, most notably The Lobster. But overall just make sure you see this movie if you have ANY capacity to appreciate real authentic art and moviemaking at its absolute finest and most innovative and passionate.

The Favourite contains a humorous kaleidoscope of bed intrigues. The movie dramatizes small, humorous stories about regal concerning who can be welcomed to the bed room of Queen Anne. The Bed is a central metaphor (passion, sickness, death, sleep and etc.) of this tragicomedy. Bravely told, in the bright shadow of satire, we see how the abuse of power and, at the same time, the power of love, affects political decisions. The historical framework of the film allows the viewers to enjoy the stiffness and hypocritical attitudes of Puritanism.

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