The authors are Jia Kang and Su Jingchun. In April 2017, the book was selected as the 2016 "China Good Book".
While explaining the relevant theories on how to overcome the "middle-income trap", this book combines the cases of how the United Kingdom, the United States, Germany, Japan, South Korea and other developed economies realized their rise and leapfrog earlier, analyzes the relationship between economic and social development and the "middle-income trap" from a historical perspective, and examines how these countries successfully overcome the "middle-income trap". At the same time, taking Latin America and the "Four Asian Tigers" as examples, it analyzes and expounds the problems, challenges and difficulties that developing countries encounter in the process of crossing the "middle-income trap". The author emphasizes that the "middle-income trap" is an unavoidable hurdle that my country will encounter in the process of modernization. Combined with the problems encountered in my country's current economic transformation and the complex situation facing the new normal, this book specifically analyzes the different views of "pessimists", "optimists" and "cautious parties", and discusses how my country should learn from the experience of successful countries and learn from the lessons of failed countries. crossing" path.

2. "An Introduction to Ancient Chinese Architecture"

"An Introduction to Ancient Chinese Architecture" is a book published by Beijing Publishing House in 2016. The author is Fu Xinian. In April 2017, the book was selected as "2016 Chinese Good Book". The book is a compilation of 6 independent essays on ancient Chinese architecture and urban planning

3. "Haihunhou Liu He"

One of the top ten archaeological discoveries in the country in 2015 is the tomb of Hunhou of the West Han Dynasty in Nanchang, Jiangxi. The legendary experience of the owner of the tomb has been talked about by people.

4. "Jincheng: China's Silk and the Silk Road"

5, 《Little Letters》

"Words" is a book published by Tianjin People's Publishing House in 2016. The author is Xu Jinxiong. In April 2017, the book was selected as the 2016 "Chinese Good Book".
This book is a collection of textual research articles on the evolution of philology written by Mr. Xu Jinxiong in recent years, including 133 title entries, 237 lists of character evolution, and interpretations of 242 characters and words. Through a lot of analysis and demonstration, the author interprets the evolution process of characters for readers, from oracle bone inscriptions to bronze inscriptions of Shang and Zhou Dynasties, then to Xiaozhuan, and finally to modern Chinese characters. Through the evolution of words, we can see culture through words.

6. "Lectures on Zhuangzi's Philosophy"

"Lectures on Zhuangzi's Philosophy" is a book published by Guangxi People's Publishing House in 2016. The author is Zheng Kai. In April 2017, the book was selected as the 2016 "Chinese Good Book".

7. "Governance and the Rise and Fall of a Country"

""Zi Zhi Tong Jian"" and the Rise and Fall of the Family and the Country" is a book published by Zhonghua Book Company in 2016. The author is Zhang Guogang. In April 2017, the book was selected as "China's Good Book" in 2016.
Starting from the text of "Zi Zhi Tong Jian", it selected 20 key nodes that affected the military and state affairs, and vividly described the history from the division of the three families in the Spring and Autumn Period to the end of the Tang Dynasty. It not only has a historical reappearance that is loyal to the original classics, but also has unique and incisive analysis.

8. "Building a House"

This book is a collection of architectural culture essays by Wang Shu, the world's highest award in architecture, the winner of the Pritzker Prize and a famous architect.
*10 Essays on Architectural Culture—From the artistic conception of landscape paintings in the Song Dynasty to the aesthetic appeal of gardens in the Ming and Qing Dynasties, the author deeply analyzes traditional Chinese culture and art, and explores the aesthetic value of traditional culture and oriental philosophy from the perspective of architecture. *4 writings on the history of architectural works—Wang Shu’s famous architectural works include the Xiangshan Campus of the China Academy of Art and the Ningbo Art Museum. In this book, from the beginning of the design, the construction process, to the follow-up after completion, the author restores the birth process of these works in simple and easy-to-understand language. From it, we can see the author's in-depth thinking on "good architecture" and "how to make contemporary architecture that returns to tradition". *6 prose essays + 1 dialogue - the author talks about personal experience, society and life, and touches on topics such as living space that people care about today. The growth process and humanistic feelings of the master are clearly seen. * This book starts from architecture, but it is not limited to architecture. It is also a book that explores the contemporary nature of Chinese traditional culture. The contemporaneity of traditional culture has always been an important topic that has been repeatedly pondered and discussed by the academic circles in recent years. Wang Shu has built a unique aesthetic system on oriental aesthetics with his own academic quality and experience, and also provided a path for traditional culture to enter the contemporary era, which has very important academic reference value for the present.

9, "Northern Fire"

"Northern Kites" begins with the growth of Lu Wensheng, a son of a merchant family in the Republic of China, and ends in the middle of the last century. The ups and downs of the fate of the two families are entrusted to the turbulent and turbulent history of the Republic of China, and the most prosperous and ups and downs of China are written. The first line of life is like a kite. Fate is floating, and people should have their own backbone. Politicians, warlords, yugongs, literati, businessmen, actors, hundreds of classic figures of the Republic of China in the book, advance and retreat in vicissitudes. The communities are intertwined and majestic. Wen Sheng went through trials and tribulations in the turmoil of the great era, and went on and on, until finally the dust settled. Everyone has their own origins, and only by understanding their origins can they know where they are going. In the daily subtleties of the story and the ups and downs of the family, there are hidden shadows of our past and future.

10. "The Beauty of Ancient Music"

The Beauty of Ancient Music is a book compiled by Su Hongyue and published by People's Music Publishing House.
"The Beauty of Ancient Music" is a monograph on the history of Chinese music that sorts out the knowledge of ancient musical instruments in a popular language system. It is based on real archaeological materials and rich historical documents. The book was selected as the 2016 Chinese Good Book. On April 23, 2017, it won the 12th Wenjin Book Award.

11. "Looking at the Spring Breeze"

"Wang Chunfeng" is a novel written by the writer Ge Fei, published in 2016. "Wang Chunfeng" starts from the stories of various ordinary and extraordinary residents in the village, depicts the complex process of the village's gradual evolution from simplicity and introversion, and describes the historical movement of the Jiangnan countryside for more than half a century through the changes in personal destiny, family and village, showing its possible future, and bid farewell to the lost hometown and old friends.
The book won the Sina Best Book List · Top Ten Best Books of 2016, the Best Novel of the 18th "Contemporary" Literary Rally Competition, the Best Book Award of 2016, and the Annual Literary Award of the First Jingdong Literature Award.

12. "Nine Lectures on Chinese Art History"

The nine speeches selected for this book are all manuscripts that Fang Wen spared no effort to preach his academic ideas on his way home from 2004 to 2012. They were published on different themes at different places and at different times. Although there are occasional similarities in quotations, quotations, and individual content, they are not simple repetitions.
The first lecture discusses the two different art traditions of Western Europe and ancient China. In ancient China, ideographic characters and pictures are linear "pictures" that contain meaning. The second lecture clarifies the relationship between Chinese characters and images. Chinese characters themselves are images, so Chinese people have the saying that "calligraphy and painting are in the same body", and through the explanation of specific works of various artists, it shows that the calligraphy brush is the key to Chinese painting, because the "trace" of the brush can not only express "meaning", but also embody the artist's education and integrity. The third lecture was originally a long dissertation published in 2003. In the paper, it was believed that the most important task of studying the history of Chinese painting is to explain different visual languages and their specific meanings. Early Chinese paintings must be properly dated and described as historical objects. Style judgment and appreciation as cognitive methods should be defended, not only because they are crucial and valuable challenges, but also the only means to understand different visual languages. The fourth lecture discusses the biggest challenge facing sinologists and art historians today, which is how to organically connect the "boundary" of Song and Yuan paintings from "similarity" to "freehand brushwork" with the changes in the history of Chinese thought. Fang Wen believes that the evolution of Chinese painting history from "imitative expression" to "self-expression" reflects the differences between "Confucianism" and "psychology" in post-Chinese imperial Confucianism, and the rise of literati paintings in the Song and Yuan Dynasties can indeed represent a fundamental change in the history of Chinese cultural understanding. The fifth lecture aims to explain that appreciation and style research are not only of great value, but also necessary to rediscover the neglected "story" of Chinese sculpture history. Let Chinese sculpture become art history——During the Han and Tang Dynasties, Chinese painting and sculpture experienced a transformation from a two-dimensional "frontal law" to a "cylindrical shape" with a sense of volume to a realistic "three-dimensional sense" with a three-dimensional effect. He called this evolution of "imitation and reproduction" "the miracle of the Han and Tang Dynasties." However, after the "simulation reproduction" reached its peak in the prosperous Tang Dynasty, the "primitive retro movement" of Chinese painting in the Five Dynasties transferred the personalized calligraphy brushstrokes to the continuous "re-creation" of "learning from the ancients", which is the biggest difference between Chinese and Western cultures. In the sixth lecture, in view of the fact that the two works of "The Bank of the Stream" and "The Picture of Cold Forest and Heavy Ting" have long been Dong Yuan's imitation composition and style models, we focus on exploring the evolution of the style defined by the two pictures. For Chinese painters from the Song Dynasty to the Yuan Dynasty, during the critical period of the development of Chinese landscape painting in the early 10th century, Dong Yuan set up two benchmarks for Chinese landscape painting - "reproducibility" and "calligraphic expression". ; At the same time, there is a reverse appeal to achieve simplicity, abstraction and calligraphic expression by means of returning to the classical paradigm. By comparing the differences between the two paintings, Fang Wen emphasized the fundamental differences between the East and the West in the ways of seeking newness, restoring ancient ways and self-expression. In the seventh lecture, from the perspective of "originality" and "seeking change", the problem of restoring ancient times from Dong Qichang in the late Ming Dynasty to Wang Hui in the early Qing Dynasty was examined: Unlike the pictorial representation of "copying" nature with the help of science that became popular in the West after the Renaissance, Chinese brush and ink painting expresses nature through the traditional "crack" method and schema; Including the human body itself as a means of expression; nature and art are inseparable in Chinese landscape painting art, and the painter must understand the "outside" of nature while expressing the inner "self". In the eighth lecture, there are two prerequisites for reconstructing the history of Chinese art with the method of comparing Chinese and Western cultures: 1. How to understand the "divisions" and "boundaries" between China and the West, ancient and modern, new and old? 2. How to transcend and communicate these boundaries, so as to make "relationships" or "connections" in the history of Chinese and Western thought? This is the basic concept that modern research on multicultural history needs to consider. The contemporary era also needs a "Renaissance", re-establishing the inherent values of Chinese culture, and the relationship between these values and artistic life - in this regard, the history of Chinese art can be used as a starting point, and then a Chinese cultural history that can be analyzed from the perspective of comparison between Chinese and Western cultures. Lecture 9 It is discussed that Eastern and Western art have different techniques, and the differences are actually due to the differences in their worldviews and artistic views. The article tries to explain that modern Chinese painters are determined to use Western techniques to "improve" traditional Chinese ink painting. The result of the so-called "compromise" and "combination" of China and the West cannot be completely reborn and break through the barriers of Chinese and Western traditions. From the 1900s to the 1940s, in order to counter the impact of Western modernist abstract art, China and Japan cooperated closely culturally, injecting new meaning into the traditional "literati painting", making it a "modern oriental" art; and taking three contemporary Western painters as examples, try to see how they use the traditional form of Chinese painting to create "Oriental" modern art. The final conclusion is that, as long as they stick closely to human thoughts and emotions, the impact of cross-culture can promote Chinese and Western artists to express their basic original meaning.

13、《水墨戏剧》

14、《如果大雪封门》

《如果大雪封门》是由徐则臣创作的小说集，该书获得2016中国好书奖。
《如果大雪封门》冷峻而又温暖。徐则臣以几位青年打工者在北京的生活为底子，以精细绵密的语言和出人意表的想象，讲述了一个梦想与现实、温情与伤害、自由与限度相纠结的故事，如同略显哀伤的童话。对几位来自南方乡村的青年来说，大都市的生活恍若梦境，现实却不免艰难。但他们一直生活得认真严肃，满怀理想。小说在呈现事实的基础上，有着强烈的升华冲动。

15、《林散之年谱》

这是一本具有编年体传记性质的年谱。以公开出版的史料为基础，佐以大量林散之的书画作品，梳理史实，去伪存真，释疑祛蔽，详细记录了林散之九十余年的生命历程，包括求学、交游、创作等多方面的丰富经历，较完整地再现了林散之的艺术人生。

16、《伟大也要有人懂：一起来读毛泽东》

17、《布罗镇的邮递员》

《布罗镇的邮递员》是2016年少年儿童出版社出版的图书，作者郭姜燕。
内容简介一个叫布罗镇的小镇上，一个叫阿洛的年轻人，终于成为了小镇邮局的邮递员，他虽然父母都去世了，却一直葆有善良的心，即使是沉睡多年、寄往可怕黑色森林的“死信”，他也想法设法找到那里，将一个偷走松鼠秘密的人类忏悔带给对方。而在小镇不远处的黑森林，是一片可怕的所在，传说走进去的人都无法活着出来。但是，阿洛用自己的热心和善良，一次次化解了森林和小镇的对立，终于让人类意识到自己对大自然的残忍和不公，并在最后的灾难面前，人类和森林里的动物们达成了最真诚的合作，最完美的和谐。作品鉴赏：《布罗镇的邮递员》是一部温暖的童话书，故事讲述了少年阿洛勇敢追逐梦想，成为一名出色的邮递员，并用自己的善良弥合了小镇与森林之间的裂痕，帮助大家重新找到了美好和幸福。这部作品由15个小故事穿缀而成，这些故事清新、浅显，却在不知不觉中发人深省。获奖记录2016年度中国图书评论学会“中国好书”。 2016“优秀儿童文学出版工程”一等奖。 2017年8月4日，获得了第十届全国优秀儿童文学奖。 2017年9月，获得第十四届精神文明建设“五个一工程”（2014—2017）荣誉。 2017年11月，获得2017陈伯吹国际儿童文学奖年度作品奖。作者简介：郭姜燕是一名儿童文学作家，也是一名小学语文老师。

布罗镇的邮递员 /少年文艺金榜名家书系（2016中国好书

京东

¥17.80

去购买

18、《童眸》

《童眸》是由黄蓓佳创作的长篇小说。
《童眸》由四篇相对独立的故事构成，小说讲述了苏中小镇“仁字巷”里一群孩子的成长故事。作者借助主人公朵儿那双童真的眼睛，深刻描写了20世纪70年代物质匮乏、贫穷疾病下的社会人生百态。该书获得2016年度好书奖。2017年5月31日，《童眸》获得了首届京东文学奖年度童书奖，以及第四届中国出版政府奖图书奖。 2017年11月16日，《童眸》获得2017陈伯吹国际儿童文学奖年度图书（文字）奖。

19、《面包男孩》

《面包男孩》是由李姗姗创作的童话，首次出版于2016年7月。
该书是一部原创幻想儿童文学作品，呈现了一个魔法男孩的神奇成长故事和一个令人神往的童真世界。小说讲述了偶然间诞生的小精灵“小面包”与罗德叔共同成长的温暖感人的经历。故事充满奇思妙想，贴近孩子的视角和生活体验，童情童趣极为浓郁，可爱中透着哲思。 2017年，《面包男孩》获中宣部2016年“优秀儿童文学出版工程”一等奖，并获得2016年度好书奖。

20、《大国担当》

21、《中国机器人》

《中国机器人》是王鸿鹏，马娜著长篇纪实文学。2017年首次出版。
《中国机器人》一书记录了以蒋新松、王天然、曲道奎为代表前仆后继致力于机器人研发的几代中国科学家，展现了中国几代科技工作者在这一领域忘我拼搏奋斗、勇于开拓创新、不断超越自我的前行历史。《中国机器人》采用在场写作的方式，即在现场采访、观察、思考、写作，为这一高科技“史记”提供了真实新鲜的原材料。 2017年4月，该书获2016中国年度好书奖。 2017年9月，该书获第十四届精神文明建设“五个一工程”优秀作品奖。

22、《生死关头：中国共产党的道路抉择》

该书全面展示了中国共产党的诞生、成长以及选择社会主义道路的曲折历程，作者从《他们为什么选择了社会主义》到《中国共产党在新世纪之初的行动纲领》，按照时间顺序梳理了中国共产党每次关键时刻的决策以及命运，尤其是从重大历史事件中折射出中国共产党产生和选择社会主义道路的必然性。

23、《马克思主义十五讲》

《马克思主义十五讲》是由马克思主义理论家陈先达教授编写，人民出版社出版的书籍。 [1]
该书入选2016中国好书。全书立足中国现实，以问题为导向，对理论领域和实际工作中最为关注的十五个马克思主义重大理论问题作了回答：什么是马克思主义？如何坚定马克思主义信仰？哲学社会科学的历史使命是什么？如何理解马克思主义的基本原理及其当代价值？哲学如何更好地关注现实？如何坚持马克思主义在意识形态中的指导地位？当前马克思主义研究中需要注意哪些问题？如何看待历史唯物主义的史学功能？如何进行价值评价与道德评价？为何说马克思主义中国化是马克思主义发展的必由之路？马克思主义与中国传统文化有何深层次的内在关联？如何看待中国特色社会主义与历史周期率的关系？如何树立新的财富观？我们所说的价值共识与西方所谓的普世价值有何本质区别？如何从哲学的维度悟透人生？

24、《穿越历史时空看长征》

穿越历史时空看长征》是由王新生编写的图书。全书史实准确，点评精当，文字优美，兼具思想性与可读性。
该书选题被列为中宣部和国家新闻出版广电总局2016年主题出版重点出版物。该书获得2016中国好书奖。全书分“中央苏区，反‘围剿’，战略转移”、“粤北湘南，湘江之战，转兵贵州”“转兵贵州，实现历史性转折”“会师、北上、分离”“落脚点，奠基礼，陕甘红日”“甘孜城，会宁城，将台堡”六章。

26、《傲慢与偏见》

小说描写了小乡绅班纳特五个待字闺中的千金，主角是二女儿伊丽莎白。她在舞会上认识了达西，但是耳闻他为人傲慢，一直对他心生排斥，经历一番周折，伊丽莎白解除了对达西的偏见，达西也放下傲慢，有情人终成眷属。
这部作品以日常生活为素材，一反当时社会上流行的感伤小说内容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。并多次被改编成电影和电视剧。

27、《一九八四》

《一九八四》（Nineteen Eighty-Four）是英国左翼作家乔治·奥威尔于1949年出版的长篇政治小说。
在这部作品中奥威尔刻画了一个令人感到窒息的恐怖世界，在假想的未来社会中，独裁者以追逐权力为最终目标，人性被强权彻底扼杀，自由被彻底剥夺，思想受到严酷钳制，人民的生活陷入了极度贫困，下层人民的人生变成了单调乏味的循环。这部小说与英国作家赫胥黎著作的《美丽新世界》，以及俄国作家扎米亚京著作的《我们》并称反乌托邦的三部代表作。这部小说已经被翻译成62种语言，全球销量超过3000万册，是20世纪影响力最大的英语小说之一。2015年11月，该作被评为最具影响力的20本学术书之一。

28、《瓦尔登湖》

《瓦尔登湖》是美国作家亨利·戴维·梭罗创作的散文集。《瓦尔登湖》是美国作家梭罗独居瓦尔登湖畔的记录，描绘了他两年多时间里的所见、所闻和所思。该书崇尚简朴生活，热爱大自然的风光，内容丰厚，意义深远，语言生动。

29、《假如给我三天光明》

《假如给我三天光明》是美国当代作家海伦凯勒的散文代表作。该文的前半部分主要写了海伦变成盲聋人后的生活，后半部分则介绍了海伦的求学生涯。同时也介绍她体会不同的丰富多彩的生活以及她的慈善活动等等。
她以一个身残志坚的柔弱女子的视角，告诫身体健全的人们应珍惜生命，珍惜造物主赐予的一切。 2020年4月，列入《教育部基础教育课程教材发展中心中小学生阅读指导目录（2020年版）》

30、《麦田里的守望者》

《麦田里的守望者》是美国作家杰罗姆·大卫·塞林格创作的唯一一部长篇小说，首次出版于1951年。塞林格将故事的起止局限于16岁的中学生霍尔顿·考尔菲德从离开学校到纽约游荡的三天时间内，并借鉴了意识流天马行空的写作方法，充分探索了一个十几岁少年的内心世界。愤怒与焦虑是此书的两大主题，主人公的经历和思想在青少年中引起强烈共鸣，受到读者，特别是广大中学生的热烈欢迎

30 must-read classic books recommended by CCTV

1. "China's Hurdles: How to Overcome the "Middle Income Trap""