Abstract: A well-made TV drama should not only have good senses, should also have plenty of emotional expression, the actor if it can properly manage the emotional presentation skills, an important help to enhance the reputation of the film and television works. This article based on the use of affection for film and television drama in the value of the performance skills of a comprehensive elaborate on the analysis of the application of countermeasures in film and television drama emotional performance skills, hoping to provide a reference for stakeholders.
Key words: professional learning; film and television drama performances; emotional performance skills
Preface:
With the increase of media, and various film and television drama overwhelmed, showing the diversity of the characteristics of the development, however, part of the hit TV drama, has a color value of niche and become flowers flow play, but because of their time engaged in performing work shorter the application of the skills of emotional expression is not sufficient, there is a rigid facial expressions of the suspects during a performance, reduces the authenticity of the show, the audience can not empathize. Based on the level of scrutiny to explore the feelings of film and television drama in performance skills, it has a very important practical significance.
First, the use of film and television drama in the value of emotional expression skills
On the one hand, the performance of the feelings of the performers in film and television performances among the performers can stimulate their enthusiasm show and performances appeal. As a form of artistic expression, emotional value among the television show, whether it is the core part of the formation of film and television dramas can infect people, for the performer, the performance by the emotion into the performance process among the better able the performers themselves and integrate their own character shaped by the performance story more vivid, more power of infected people. For example, in 1993 released the famous film "Farewell My Concubine," which, the hero played by Mr. Leslie Cheng butterfly clothing, by feelings of self into the role of emotion, Fang Cheng butterfly clothing will be able to show up the characters, the characters "not madness does not survive," the obsession mental state to show its head, which also makes the film became legendary for immortal in the history of Chinese cinema.
On the other hand, show emotion in film and television drama can become a bridge deliver the artistic value of art and media, as well as heighten the emotion from the audience emotional rendering them feel the charm of the story, triggering an audience. Film and television drama performers carried out, and not just rigid interpretation of the story, but the emotion and understanding, experience into the role which the audience can recognize the role of flesh and blood, the individual is closely related to our lives, so It enables presentation to the audience's feelings, but the root of all this lies in the fact whether the performer has a unique character and feeling into the expression.
Second, the film and television drama performances emotional performance applications countermeasure techniques
(A) focus on understanding the creator of emotion
The core and the source of artistic vitality that the creator of thoughts and feelings, good, can cause infection and resonance of film and television work, is inseparable from the creators of emotional mapping, therefore, when the performers during the show, and should try to figure out accurate understanding of creation creation emotional person. Performers should be fully aware of the performance itself is the creator of emotional second creation, we need to follow the emotional context were the creators of characters, character carving and shaping. And generally different artistic creation, expression of emotion is not just the creation of film and television works express the story and script writing, and sometimes the director making film and television work among the creative ideas for the film and television work's emotional impact is unprecedentedly powerful rendering, the director needs through on-site scheduling, these movements and screen narrative approach to transfer emotion, and in the process, the performers should be fully creative exchange with the director, the director understand the creative ideas and creative ideas, and characters, situations, plot forward three the relationship of mutual integration, and ultimately achieve dramatic conflicts and natural expression of emotional expression.
When the well-known director Zhang Yimou presented during the film-making, film and television works of creation and interpretation of important is the manifestation of emotional connotation and mutual integration. Therefore, the creation of film and television drama, as the director emotional expression and emotional endorsement of the central figure, based on the need to complete the setting and the characters clean expression of emotion understanding. Performers will need to emotions and feelings of the director as a starting point, thinking expression works were realized interpretation of the development of human emotions and feelings flow, and thus lead the audience sympathy for the artistic value of film and television work.
(B) to achieve substitution of personal feelings
Although the flow of the plot and the characters behave television drama which is based on the presentation of the fictional way, but its inherent expression is true, for creators and performers, the "honest" became the driving force behind the emotional expression. The so-called "honest" does not mean completely true creative content, but describes the feelings of the characters and the real connotation of performance, artistic creation need to show the real feelings of the characters through the fictional plot. Appreciation for the audience, film and television work among the characters is true, it will become the standard for film and television works evaluation. It failed to show performer can only external features character by character features, excellent performers can be found figures projection in real life character from among the characters feel real trail. To achieve this, the performers need to identify with and believe they shape the character is real in the heart, the character's every move, way of doing things, emotions are real people exposed. Therefore, the author summarizes the performers during the film, emphasizing the performers need to have the ability to "emotional", ie, during the show, form an integrated character and their own emotions, real feelings will eventually come out on the table a fictional character, a real transfer character values and acting philosophy. Performers in learning, can draw nutrients from living in real scene and life are thinking brought to show the creation of film and television work among.
For example, in 1998 he released the famous film "My Father and Mother," which, is in the sophomore stage actress Zhang Ziyi order to better grasp the play of character and emotional characteristics of the character, who personally went to the countryside to experience life, experience the characters live scenes, from understanding the creative ideas and emotional nature of the performance figures of film and television works, and ultimately create a excellent characters [2].
(C) With a similar emotional arousal emotions
Many are new to the television show students due to limited opportunities for performances, film and television acting ability is poor, unable to complete the perfect shape to grasp the character and characters, in addition there is a lack of experience in terms of performance, these newcomers also show a lack of for the performance of cognitive and emotional performances emotional basic literacy brewing. In order to achieve improve performance ability, it suggested that performers can exercise skills by the way, to enhance the level of their performances brewing emotions, so that performers can quickly enter the role which form recognition and emotional resonance. I found in the observation that many performers in the film and television scripts just come into contact, not through dialogue language and script language among scenes, the characters dig, some young actor because of the lack of life experience, tend to play among the characters feel confused, and ultimately unable to interpret accurately. Therefore, the author proposes, for the purposes of the performer's emotions awakened by a similar manner and mood of the scene, in order to promote the performers accurately grasp the emotional value among the screenplay. Currently television show them the emotional wake-way main passion show for the media, acting teacher will use context-driven, to guide the performers quickly into the interior of the plot, such as acting teacher organization performers limb motion, sound performance was way, the performances is able to generate excitement, passion and other emotions, emotions to enter the characters, the characters in the play experience [2].
For example, in the television variety show "actor was born" in 2017 which, acting teacher Liu Tianchi will be guided by the performer Wang Junkai both rapid action and language into the "Tangshan Earthquake" persona which help feeling figure in Wang Junkai when faced with the complex emotions of inner struggle, so Wang Junkai can appreciate the disaster comes the character's inner activity, resulting in the generation of a sense of deepening the depth of the characters in the show which shape Wangjun Kai this has to a certain extent.
in conclusion:
In summary, the application of emotional expression skills in film and television drama process, help to improve the vivid performances inspire actors passion, deepen the emotional content of the film and television drama. Therefore, in the course of film and television drama performances, the actors should focus on understanding the creator of emotions, achieve substitution of personal feelings, with similar emotional arousal emotions, so that the audience can empathize, to shape the soul of the film and television dramas.
references:
[1] Liu Xin. Talking about the film and television drama performances emotional performance skills [J] Art and Science, 2017,30 (08): 168.
[2] Aiping. Feelings performance skills in film and television drama [J] Arts Education, 2016 (10): 118-119.