The game originated in 1997 and 98. The first practitioners were mainly Taiwanese. The game sound effect production industry officially started in 2005 and 2006. So far, game sound effect production mainly serves two games: online games and mobile games.
The production of game sound effects is to produce corresponding game-style sounds on a framework that conforms to the background of the game era. If it is a Western background game, the soldier weapon in the game is an epee, which makes a sound cut by brute force. This is very different from the traditional Eastern soft sword, which lacks striking sound in order to prevent the enemy from finding the position.
According to the different game styles, we can make sounds that conform to the theme of the game and the world view, so that players can immerse themselves in the atmosphere we create, so that the listener can have a pre-experience of the expected auditory emotions, thereby gaining a sense of substitution.
Using deconstructive thinking to design character actions, you can also design game sound effects. Taking a bullet breaking a light bulb as an example, there is a chronological sequence in theory: 1. The bullet contacts the glass, and there are cobweb cracks; 2. The whole glass is broken while penetrating; 3. The shards collide.
Take the cavalry attack again as an example. Its actions can be broken down into: 1. Acceleration when sprinting, footsteps on the ground and soles of shoes and the friction of clothing accessories; 2. The friction between the sword swing and the air drives the friction of clothing accessories on the body ; 3. The collision sound of a different material from the hitting object.
The detailed sound in the production of game sound effects can increase the layering of the character's actions. Due to the concealment effect of human hearing, you may not be able to hear detailed sounds such as clothing rubbing sound. Too many details can even affect the clarity of other actions. In practice, it can be deleted as needed.