Method / Step
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The first step: drawing from still life type. We can see that in this painting very clearly the relationship between primary and secondary (albeit only from the type). The first consideration is the proportional relationship between the still life objects, the relationship between the composition of the entire screen.
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Step two: big shop relationship. In this step, our relationship is to unify the dark side of its light and dark areas of the object carved out. Shop tune when to let go of some, a little courageous, do not be afraid wrong. In addition to this step we dared to paint but also close attention to the object type, there are a lot of students are painting a very good start to type the paint more later run type. Such a type of painting will not be able to basically scrap it. So it is not a type of painting began to play a type you can not leave it behind.
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The third step: in-depth relationship. In this step we have to note that the relationship between light and dark must be clear, gray surface do not move in this step, only surface deep and dark projection. To clear the boundary line can not express painted vague, a distinction among several large color screen. We will use the wipe, local wipe pen to feel very careful not to wipe out the meat. Rub is that when rubbed like tone row, Hu should not rub, rub chaos.
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Step four: to improve relations. In this step we will be gray-faced portrayal, do not forget the contrast between the gray-faced and dark gray surface at the same time portrayed the surface, do not make the overall color relationship. Lining color, desktop color, the color of the subject matter, secondary body color, are to be taken into account color relations. Space of each object contrast, comparison of the overall relationship at this point have to do it. Details of the characterization incidentally is also necessary.
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Step Five: drawing still life works presented. In this step we are more focused on the complete picture is not sufficient to achieve the final effect full screen. When depth characterization of the specific details of objects that we should not Sikou details of a particular object, otherwise it would be incongruous picture, it affects the picture of the overall relationship. Depth characterization is carried out with entire screen, the times to characterize the object from the master, the sub-body was slowly keep up the whole picture effect.
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Written in the last: whether a beginner or have some basis in the picture when students should pay attention to often come out to look at the problem from the screen, do not stare at a screen for hours painting. And put into is not the same, often do not think moving forward to see the picture that is not put into effect, sitting still is venture. Have a clear idea of painting, painting a clear purpose, it is the key to a picture painted. Clear picture of the effect of each step in order to achieve the final desired picture quality. From a piece of paper to a picture of the transformation is to have methods and techniques of painting in a lot of time painting is not dead, but mindless to painting. No matter what kind of painted now, we have to stick to it, believe in yourself, come on!
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