It was Liu Yifei who made a TV series again after 17 years, and it was probably Liu Yifei who stirred up a lot of excitement from the first day it aired. Regarding "Menghualu" ~ I really wanted to go there to enjoy the beauty of the fairy sister, but I didn't expect to be attracted by the ultimate Chinese aesthetics in it!
The color scheme in the play does not pursue bright reds and purples. Instead, the elegant and restrained tones make the picture attractive and high-end. Every frame allows us to experience the "lightness" and "simplicity" pursued by the Song Dynasty.
For example, the scenery in the first few episodes is really eye-catching. The large areas of green plants, small bridges and flowing water are combined with elegant colors to achieve the integration of people and scenery. At a glance, you can tell that this is the poetic Jiangnan water town.
The costumes of the characters also mostly use medium-low brightness and pure colors, coupled with composition, light and shadow techniques, to present an ancient style even in changing scenes.
Color matching is really important for the sense of the picture. In daily life, we can take screenshots or collect favorite photos, and interpret them with color cards. In addition to improving the aesthetics, it can also inspire inspiration for later color adjustments.
Looking at Tianxian again, in addition to the plot and CP, every frame in the picture has the artistic conception of "A Thousand Miles of Rivers and Mountains" in the Song Dynasty. I have to say that the director is really good at shooting.
This drama tells the story of Zhao Paner, Song Yinzhang, and Sun Sanniang, who originally placed their hope in men but were betrayed, so they went north to Tokyo to start a business together. You can even think of it as the Northern Song Dynasty version of "Tokyo Women's Illustrated Book."
From a wealthy woman in Qiantang to the founder of a Tokyo teahouse, Zhao Paner's headwear also witnessed her change in identity. Especially the headwear in recent episodes represents her official integration into the "Beijing circle" and her becoming a representative of Tokyo's fashionable strong women.
People in the Song Dynasty loved flowers. It is said that it was just a custom of the era, and it was not special. The love of flowers did not start with the people of the Song Dynasty. But in this play, flowers are used in every scene, and even inconspicuous props are imbued with a poetic way of loving flowers.
In the scene where Zhao Paner appears, many kinds of flowers are arranged on the bow of the boat, and the fairy sister comes into view from far to near holding the boat pole. As a young rich woman from Qiantang, Liu Yifei's appearance is naturally fashionable and refined, which is also related to the environment she is in. In addition, the director specially selected the Jiangnan water town, which combines the makeup and make-up to be stunningly beautiful. The director emphasized the artistic beauty of blank space, so this classic painting technique was also used extensively on headdresses. The beauty created by blank space perfectly matches Liu Yifei's own temperament. One more is too much, and one less is too much. points appear to be insufficient. Jiangnan, which looks like azure and misty rain, is a stunning color that can be easily captured without the need for gorgeous pearls and jade embellishments. Zhao Pan'er's clothes reflect the cultural and historical background of the time. She is a teahouse owner and comes from an official family, so her good taste has been cultivated since she was a child. The hairpin on Pan'er's head will change with the color of her clothes, and the flowers and flowers will change. The combination is a test of dressing skills. In addition to her elegant style, when she arrived in Tokyo, her color palette also became richer, and she wore a lot of crimson, rouge and other colors. At this time, her status as a fashionable strong woman in Tokyo has improved a lot. Including the pomegranate skirt she wore when she was pretending to be an oiran, the headdress also followed the gorgeous line and used four-color accessories composed of pearls, glass and other materials. It is not tacky but still very stylish. Flowers, pearls, colored glaze and other elements are constantly arranged and reorganized, creating the beauty of an era. These small details immersed in every aspect of life also make a character or even a drama come alive. This is why "Menghualu" is The reason why so many people like it.
It’s great to learn color matching while watching the plot! More convenient and ready-made color matching tools are also recommended for everyone who loves to learn:
