Chinese calligrapher Mr. Shen Yinmo very well, he said, calligraphy did not have brilliant colors and painting, no sound and melodic music.
As we all know, whenever there is a universe of inanimate objects, will be full of one kind of vigorous vitality, and living things can move people deeply, Chinese characters have become the art of writing because our writing Chinese characters word itself can make dynamic, so let's ancient calligraphy to describe when compared to the dragon calligraphy will soar. This is the Chinese character flesh and bones, blood gas there is God's manifestation. We categorize Chinese calligraphy aesthetics and the aesthetics of Chinese calligraphy summary became Simei: Mimi vitality, the structure of the law of the United States and the United States, the physical image and texture, the spirit and mood of.
Because too many examples involving limited space, also for you to understand in depth, so it will be split into two articles, the first two in the Simei talk before the United States, namely the United States and vitality, the beauty of the structure of the law.
Look at the beauty of the vitality of the King Xun "Bo far post", he wrote the word "no" if a person dancing, there is a dynamic spinner, this is his sense of life. Another example is the Huai Su's "Kusun quote," which "is" the word of the apostrophe is like a brush on paper as brakes, but also like meteor flying from the sky, sense of speed and strength of feeling is very strong. There is the Wang Xizhi "fast snow and sunshine when the quote," It is the blood of all the lines of filling, is full of lines, we see the beauty of life is a kind of full lines.
And they all said the flaw in calligraphy are certainly no sense of life, are some dead thing. Our ancients summed up the failure of the "pen" disease, such as strokes like "fold dry wood", "like a dead snake." These things give people an unpleasant perception, so say no good at writing people write is not flesh and blood, not to mention the look.
So, pay attention to the movement of Chinese calligraphy and beautiful lines. University of the Ming Dynasty scholar Xu Youzhen cursive "There Takei Song" is a view of his lack of cursive counter-example, it was said, because his calligraphy in a lot of "failure", like the cords of the same. Filling line itself has no vitality, no tension and bones.
Having a line of vitality tricks say the word structure inherent in feelings. Reflect the more obvious is the Huai Su's "Autobiography" passionate and imaginative lines, the storm also deemed as the Yangtze River Pentium, people saw it, I felt the emotion which engorgement, very vivid. Another example Yen Chen, "Liu manipulation quote," Liu manipulation in this work written two news reports to him, Lushan government troops to quell the rebellion, Yen Chen hear special comfort to him, so the work of the "ear" written in a very loud bold, showing Yen Chen was pleasure and comfort to him. This is the "smell the government troops close Henan and Hebei", is the same feelings we think of Du Fu.
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Between the United States and the laws of the structure of the universe things have structural beauty, as if the Creator determined to move, so the crystal to create art or calligraphy is not only the soul. Chinese calligraphy of formal beauty, in line with the universal law of human beauty. Most objects are similar to "symmetry" "balanced," "unity of opposites" such intricate order and law. Chinese calligraphy with "ping", "symmetry", "mixed", "coherent" known exactly in line with the stringent US standards.
"Taiwan" in the word Ouyang Xun regular script. It has Pingzheng beauty beauty, feeling secure after people looked calm. Let's take a look at the Qin Xiao Zhuan, casually looking for a "minute" word, the middle is the overall symmetry, among them a local asymmetry, this is more in line with the law of aesthetics. It is easy to over-ping symmetric rigid, with "staggered" to coordinate better and better, modern young boy in the lower case "Goddess Thirteen" on the very aesthetic, later written lower case, whether it is after the Ming Dynasty Taiwan Pavilion body or, Hanlinyuan body good, too. Regular script did not achieve this level of young boy, homeopathy works naturally, some word, some word-wide, it gives the United States on the line of scattered mixed. Wang Xizhi "Orchid Pavilion Preface" consistent gas up and down, whole body relaxed, in line with consistent beauty.
Pingzheng too, will seem sluggish symmetry
Beauty is harmony and proportion
物象和质地之美 所谓物象之美，指的是什么呢？就是说，好的书法它实际上暗示着事物的美好形迹，其中的“意态”可以表露出喜怒哀乐，比如宋代书法家苏东坡写的《罗池庙碑》中“鹤飞”二字，就像仙鹤展翅欲飞一样。中国书法不但能从万事万物去取象，还能表现一种质地之美，甚至是绘画都不如书法的表现力强。比如赵朴初大师的字或是启功大师的字，很多人临摹，但是字的质地却始终描摹不下来。笔的力量和墨的结合恰到好处焕发出的神采，没有个几十年是根本模仿不来的。王珣《伯远帖》字迹珠圆温润，像玉的质地一样，久看不厌，再比如苏东坡《前赤壁赋》偏于丰腴却内含筋健，见者无不心生喜爱。
生活美好事物的形迹
物象和质地之美 所谓物象之美，指的是什么呢？就是说，好的书法它实际上暗示着事物的美好形迹，其中的“意态”可以表露出喜怒哀乐，比如宋代书法家苏东坡写的《罗池庙碑》中“鹤飞”二字，就像仙鹤展翅欲飞一样。中国书法不但能从万事万物去取象，还能表现一种质地之美，甚至是绘画都不如书法的表现力强。比如赵朴初大师的字或是启功大师的字，很多人临摹，但是字的质地却始终描摹不下来。笔的力量和墨的结合恰到好处焕发出的神采，没有个几十年是根本模仿不来的。王珣《伯远帖》字迹珠圆温润，像玉的质地一样，久看不厌，再比如苏东坡《前赤壁赋》偏于丰腴却内含筋健，见者无不心生喜爱。
字有表情，书法家可以把家表现出来
笔画很硬但很温润，极尖硬而极温润，极绚烂而又极平淡，内部有光彩而又是含蓄的光彩不张扬
苍翠的植物，生于深山老林
个性和气质
高超的技巧表示书写时的心境
这叫心手相应
群星立天
什么是意境？著名美学家宗白华先生的话可做参考。
“化实景为虚境，创形象以为象征，使人类最高的心灵具体化、肉身化，这就是艺术境界” 中国书法最能传达出这种深重空灵的意境。很多人称赞《虢季子白盘》的拓片像是满天的星斗，让人感动。还有《华山庙碑》的拓片，气势磅礴，真气弥漫，开阔雄浑意境跃然纸上，这就是意境的魅力所在。
